BBC's Britflix likely dead before the ink has even dried on the news Anyone hearing this week that Britain’s BBC is set to launch against Netflix with a service touted as “BritFlix” will almost certainly get the wrong idea and believe it is actually going to happen. The move is being touted merely because the recent government review of the BBC encouraged the ancient British public broadcasters …
"Could do with fixing the liberal bias too, but to do that would mean replacing the Guardian reading staff at every level."
While I agree that governance at the Beeb over the last few years has not exactly been stellar, I have a hard time believing that replacing the current staff with Daily Mail and Sun readers would have a positive effect on the quality of the programmes it produces...
To me the Beeb seems fairly frightened to criticise the government too much (this one, the last one or the Blair/Brown lot). They don't seem to want to ask questions but just take it at face value. I heard that politicians are refusing interviews if they feel they'll be asked too many questions so perhaps that's it......
I was curious as to why the article uses $ figures for the BBC.... bizarre.
One final point, I heard they've lost a lot of money when Top Gear went. I heard Top Gear made them more money than anything else so I wonder if the Chris Evans version will come anywhere near that.
"I heard that politicians are refusing interviews if they feel they'll be asked too many questions"
Listening to Today and PM, they'll always say if they asked for an interview but the minister, or government department representative was "unavailable"
While I might well be prepared to pay a subscription to access the BBC, why should I be compelled to pay a tax sorry licence for using a TV.
Licences should be reserved for activities that might have an effect on others, watching TV doesn't.
Float it as a publicly traded company (yes, it's definitely one thing that should have been privatised long ago) or adopt a similar model to Channel 4 but for goodness sake call a halt to the ridiculous tax.
" those on the left think the BBC has an unacceptable right-wing and pro-government bias."
Those on the left can point to the near permanent presence of establishment people (e.g. Chairman of Barclays) on the various layers of senior BBC management.
When Barclays were having great fun with Bob Diamond and Barclays tax-dodge-promotion business, every newspaper (including the Sun and the Torygraph) was reporting it. Not a word of it went out on the BBC. Odd that.
He's no longer on the BBC board as questions were asked about it. Not at the BBC, at Barclays.
The current finance sector representative in BBC senior management is a senior banking lady who's name I'm afraid I can't remember yet.
Now, who can tell me the name of the most recent Trade Union sector representative on the BBC board?
The name I couldn't remember earlier is Rona Fairhead.
She has a profile on the BBC website:
http://www.bbc.co.uk/bbctrust/who_we_are/trustees/rona_fairhead.html
It doesn't mention that she was a £10k per day (£500K/year) director (non-exec) of HSBC Switzerland (!) until recently. Maybe they couldn't find any appropriate staff in Switzerland. This was in a period when HSBC Switzerland got themselves into even more trouble than usual (on this occasion, it was re, er, encouraging massive tax dodging. A bit like the aforementioned Barclays.).
For that information you need to look at the well known left wing rags the Telegraph, Daily Mail, etc:
http://www.telegraph.co.uk/news/bbc/11443185/BBC-chairman-faces-questions-over-10000-a-day-HSBC-role.html
http://www.thisismoney.co.uk/money/news/article-3317663/Chairman-BBC-Trust-Rona-Fairhead-quit-director-HSBC-boardroom-reshuffle.html (oh dear, where will she find a replacement £500K/year. I don't suppose she'[ll be needing the food bank.).
https://en.wikipedia.org/wiki/Rona_Fairhead
https://beta.companieshouse.gov.uk/officers/T3B8FPKUtD1QTDhXWL-ZqtQtLhU/appointments (list of Ms Fairhead's 30+ other directorships of UK companies - presumably the overseas ones are additional)
The Daily Mail is left wing?? I mean seriously??
Given that you are quite happy to let is know the earnings of others, perhaps you would tell us yours and how you are worth it?
And the Beeb never mentioned Barclays???
http://www.bbc.co.uk/search?q=Barclays+tax&sa_f=search-serp&suggid=
Just sayin'
>In case you'd never noticed, those on the left think the BBC has an unacceptable right-wing and pro-government bias.
@theDownVoters, suck on this:
BBC portrayal of the Battle of Orgreave .... they were forced to change their stance due to public unrest.
The BBC has always been a telescreen:
"We have won the battle for production! Returns now completed of the output of all classes of consumption goods show that the standard of living has risen by no less than 20 per cent over the past year."
At least the TV set can be turned off ...
YOu obviously missed the result of that FoI request which showed that The BBC purchased more copies of the Daily Mail than any other newspaper. And also the more recent independently conducted poll where, given a choice of seven different news organisations including Sky News, ITV News and Channel 4 News, 58% of respondents ranked the BBC first for balanced and unbiased reporting. Sky News was second, with 15%. That gap is far too large to be a polling error!!
The BBC also ranked top when given a selection of non-broadcast sources of news. Half of respondents ranked it first as a trusted source of balanced and unbiased reporting, ahead of family members (18%), national broadsheet newspapers (11%), social media (5%) and national tabloids (2%).
Given that at least 25% of the BBC's TV output is required to come from independent production companies, there's rather a lot of public money already being shovelled into the coffers of private businesses. At the outset, these were largely small companies run by "talent", but they're much more likely to be large international conglomerates these days and it may be them rather than the BBC that has the overseas rights.
I'm rather more concerned about what is in effect a public subsidy to commercial programme makers than I am about the BBC's lack of commercial income. And I'd rather the BBC used some of the commercial income it has to acquire content from abroad rather than make more of its "distinctively British" programming that's starting to make BBC 1 and BBC 2 look distinctly parochial. However, all of this is mandated by the government, not the BBC.
An interesting point...
IIRC GBBO (Great British Bake Off) is not only made by an independent company but is owned by it; this means that although the BBC made it a very popular programme when the contract ends the owners will be free to auction it to the highest bidder. The BBC took the initial risk in commissioning it, built up a supportive audience only to possibly lose it to another broadcaster once it became a very much going concern.
Doesn't feel right, that.
(Honesty compels me to admit that the BBC pays the greater part of my pension income in retirement.)
This is exactly what happened with The Voice. From memory the format is owned by an independent company that Will I Am has a very large stake in. From next year the show will air on ITV.
The only hope is that with the shift to ITV the X Factor will finally get dropped...
I believe you're right. Not sure where I picked up Will I Am holding a stake from, but it wouldn't surprise me, he has enough money he could buy Endemol if he wanted to. May just be a small stake in the UK production side of things, or some memory of an article that had some misleading "facts" about the show.
Two mentions of Endemol upvoted, not because I am an Endemol supporter, but because I approve of informed discussions. On which subject...
Stephen Fry on the rollout of London's original sewer system:
"It was the biggest civil engineering job ever undertaken, by this man Joseph Bazalgette, whose great great-grandson, oddly enough, now runs Endemol and is busy pumping shit back into our homes..."
@commswonk But that's exactly the intent. There was little or no risk to the state funded BBC for novel content. What is a concern is if it then pays premium price for content and on screen talent that could be funded by the private sector, if anything too much of the output is risk free long run programming whereas it makes such a thing about needing a unique funding model to make novel content.
But that's exactly the intent. There was little or no risk to the state funded BBC for novel content.
Firstly, whatever you might wish to think the BBC is not "state funded". The NHS is state funded; the BBC is funded by licence payers directly. It may be a distinction without a difference to some, but it is a distinction nonetheless.
You are also incorrect in stating that there was "little or no risk to the BBC". The BBC commissioned "series 1", possibly with options on later series. Making the programmes cost real money; yours and mine. Had the programme failed dismally it would have been money wasted and possibly even left a big hole in the schedules if the viewing public's reception had been so bad that it had had to be pulled and something else put in its place.
Expecting the BBC to develop new formats, etc, (at licence payer's expense), which if successful are then hived off to commercial channels who make money from advertising revenue is simply wrong.
What incentive is there for the BBC to develop (potentially) worthwhile programmes if the reward for success is the loss of the programme to another broadcaster?
"Expecting the BBC to develop new formats, etc, (at licence payer's expense), which if successful are then hived off to commercial channels who make money from advertising revenue is simply wrong."
FWIW, it's quite the opposite. The BBC isn't supposed to care about audience share and competing with commercial offerings. It's supposed to create the stuff that the commercial companies won't or can 't do. If those formats take off and become popular, shifting them off to the commercial channels is the natural progression. The BBC should be getting out of "talent" shows and the like unless they are inventing another new format. Same goes for reality shows.
The BBC isn't supposed to care about audience share and competing with commercial offerings. It's supposed to create the stuff that the commercial companies won't or can 't do. If those formats take off and become popular, shifting them off to the commercial channels is the natural progression.
This still misses the point that the BBC has to risk licence payers' money to make "innovative" programmes. Then, if they suddenly become succesful, they lose the "right" to make those programmes; the BBC uses licence payers' money, which is effectively transferred to commercial television's shareholders and advertisers. It might work if the BBC is the rights owner of the programme, because it could then sell or licence those rights, but as in the originally cited case of GBBO the BBC is not the rights owner. "Licence Fee effectively creamed off to commercial television" is not a headline I want to see.
Furthermore, to use a reductio ad absurdam argument it could be argued - quite legitimately using your idea - that success in making a programme could be measured by how few people watched it. I can't see many buying that argument, including the Ministry of Fun.
"This still misses the point that the BBC has to risk licence payers' money to make "innovative" programmes."
Well, yes and no. Part of the BBC prime directive is to innovate and lead on broadcasting standards. Making new and popular programmes is part of that. Ending said programmes when they reach "end of life" and/or are "copied" to the similar or better standards by commercial operations drives the overall quality upwards. Without the BBC doing that we'd have a US style TV market with 10 minute ad breaks, ads on screen during the programme and lowest common denominator in most other aspects. The BBC have forgotten much of their reason for being and in some instances are copying the commercial outlets instead of leading.
I'd also argue with your reductio ad absurdam paragraph and say that the opposite is true. Creating good, interesting and educational programmes is paramount, not more daytime chat shows and farcical game shows. Creating stuff people want to watch without dumbing down maintains and improves the standards. Chasing ratings while cutting costs is what leads to crap.
If the BBC works with Channel 4 and ITV. I believe this has been discussed before, and effectively stopped because of complaints from Sky. Perhaps the current government is more receptive.
Now, as a license fee payer, I'd like to watch iPlayer while abroad, without having to resort to VPN. Having to provide a username and password (to prove you've paid the licence fee) overcomes one barrier. I'm not so sure how much a of a barrier interests external to the BBC (e.g. rights holders) might present.
Isn't that more or less what YouView is, or at least was supposed to be? And look how well that one is doing after a few years on the market.
Wholeheartedly agree on the iPlayer front, I have exactly the same gripe when I'm abroad on a business trip and either have to have remembered to download stuff first, or to use my VPN.
Not to mention their current push to sell all of their shows on download or DVD just after they've aired them. Who was it that funded the production of these shows again?
people who only view the BBC online, but who live in the UK, will now be obliged to pay for a TV licence
I'm wondering how they expect this to work. The implication is that every licence-holder will be issued with a username and password that they're expected to enter using the TV remote control. Such a preposterous plan would require an expensive support network and could cut authorised iPlayer use by 90%.
I suspect it will be based upon detection rather than enforcement.
Access logs will tell them the IP addresses of everyone using iPlayer, which they can map to an ISP and use geoip to get approximate location.
The BBC already send threatening letters to anyone who doesn't have a license, on the assumption everyone watches TV. They could extend this to send out letters "reminding" anyone without a license within that approximate location.
Maybe demand the ISP tell them which household had been assigned that IP address and take a few people to court to make examples of them.
"The BBC already send threatening letters to anyone who doesn't have a license, on the assumption everyone watches TV. "
I can assure you that they're just as happy sending threatening letters to people who DO have a license. On the basis that the same site listed twice in the postcode database must be 2 separate properties.
"I believe this has been discussed before, and effectively stopped because of complaints from Sky. Perhaps the current government is more receptive."
I can assure you the current government is completely receptive to all complaints from Sky, and any other Murdoch-owned enterprise.
Uncle Rupe is quoted as saying "When I go to Downing Street they do what I say, when I go to Brussels they ignore me". Aside from the obvious implications for the referendum it also says that this government will not be "receptive" to anything that threatens Sky or what I have seen termed as Casa Rupra ......
In broadcasting, according to Wikipedia, OTT was the adult-oriented follow on to the Saturday morning "childrens programme", Tiswas. Like Tiswas, it included Chris Tarrant, Lenny Henry, John Gorman, and Bob Carolgees. But no Sally James; Helen Atkinson-Wood instead.
https://en.wikipedia.org/wiki/O.T.T.
"And it sees the US as the only viable place to charge for an OTT subscription, because everyone else there is doing it."
Do other networks carry BBC content in the US apart from BBC America? If not, that's the reason why. The BBC live in fear of not offending local networks in case they decide not to buy any more BBC content, even if all they do with it is butcher it with dubbing, show it years later, and put it on at some silly time of night.
And in the case of Wonders of the Solar System, Spanish state TV managed to buy some cheap international version of it without Brian Cox in it.
> It does not want to risk that $5.7bn by inflating the $1.2bn.
I think they're far more worried about the licence fee being reduced if the commercial income goes up, and then being told to stop doing the commercial stuff because that should be left to the commercial sector, leaving yet another gaping hole in the budget.
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